Give Your Left Foot a Chance!

It's been a couple months now since I decided I wanted to change the tension on my hi-hat pedal. It's been the exact same amout of time since I realized my hi-hat stand was probably the worst piece of gear I owned. My tension adjustment seemed to have 3 settings: Sluggish, too weak to do much of anything, and completely locked up. I wandered into Fork's a couple days later and put my foot on a few of the pedals. I was astonished at how far these things had come since the last time I shopped for one. I had been left behind and I suspect I'm not alone. After all, hardware is easily the least exciting part of a drumset. I had the hi-hat stand lumped into the 'hardware' category in my head and neglected the device that controls everything that one of my 4 limbs does on the kit.

A little bit of attention to what the market has to offer now was enough to convince me to upgrade. I liked what Yamaha had out, but DW and Pearl stood out to me, much like they do in the realm of kick pedals. They're both really responsive and the DW had a slightly lighter feel. Pearl had a few more customization options and felt a little heavier, which I like so I ended up with the H2000. This thing has really improved my playing and my options with my left foot. I'm not suggesting that everyone run out and buy a new pedal, I'm saying that the Hi-Hat stand is easy to neglect and forget. Take a stroll through your local shop and put your feet on a few of them and see if you notice any major differences from what your foot is used to.

For me, it wasn't just the hardware either, it was great inspiration to put some real work into the precision and independence of my left foot (which also tends to get neglected). Coincidently, I saw John 'JR' Robinson do a clinic in Nashville last week which was a fantastic display of the kind of precision I'm talking about. Take a listen to JR on the chorus of 'Ain't Nobody' by Rufus and Chaka Kahn and you'll hear what I'm talking about in the Hi-Hat department (You can look it up and hear the whole song free on Grooveshark). Now that's some clean left foot-work!

Choosing a Bass Drum Head: EMAD vs Powerstroke 3

Choosing drum heads has always been a trying issue for me. You can walk into a drum shop and play a bunch of different drums and cymbals, pick up different sticks, and put your feet on different pedals. Choosing heads is different because you can't hear how they'll sound on your drums until you pay for them and get home. Bass drum heads are no exception and you'll spend almost $50 just to try out a new one. I recently switched heads and took time to listen to the differences between 2 of today's most popular models: The Remo Powerstroke 3 and the Evans Emad. Here's what I found.
Keep in mind that these 2 heads were made to do different things and this is more than just a brand comparison. The Evans Emad has an external dampening system and the Remo PS3 has a thin second ply around the outside of the head. Evans makes a comparable head to the PS3 (the EQ4) and Remo makes a head with external dampening (the Powersonic) but these two are the real deal in my book.

I've been using the Remo PS3 for years now. As you can see in the picture, I use the big Remo Falam patch to dampen it a little. This has always been a great head but I've often wanted a little more punch and a little less slap. Recently I heard that punch come out of a few very different drums and the common variable was the Emad, so I decided to give it a try. I put it on and noticed a few things. First and foremost, I heard the punch I was looking for. It almost sounded lower than it did with the PS3 and there was that little added 'kick you in the chest' thump to it. So far so good. I played around for a little bit and it sounded great but strangely quiet. Once I put my in ears in and ran my ipod it was noticeably quieter than the PS3. It does make sense that to have a dampening system on the batter side head will make the drum sound quieter to the drummer, and this is indeed the case. I lost some of that attack that I relied on hearing straight from the drums while I play and I'm sure it's lost on the audience as well. The next step was to play out with it, which I did this past weekend. We were on a big stage with a great sound system and The Emad was at its best in this setting and really thumped through the monitors. I was thrilled.

I'm playing a little club in Nashville without the big sound system next week and I already know I'm going to miss the PS3 and the volume I could hear straight off the drum. I also play in a more mellow indie rock Radiohead/Flaming lips type of band (the Golden Sounds) where I want my kick drum to sound more open, and I don't think the Emad will do that particularly well. The extra underlay around the PS3 sounds great, leaves the drum sounding open, and mutes out the weird undertones of a 1 ply head without the ring. The Emad head is really made to have that foam ring in it and you can take it out to open the drum sound, but it just doesn't sound nearly as good as the PS3. One more positive thing about the Emad is that it can make a cheap drum sound good. It mutes quite a bit of the drums natural tone and sometimes that can be a good thing. If you're rocking a budget kit, the Emad will make it punch harder than you ever thought it could.

In conclusion, I'll say that these are both great drum heads and the deciding factor should really be what type of gear you're using, what type of gig you're playing, and what sound you're going for. If you want the attack and a warm but more open sound, the PS3 is the clear choice. If you want that thumpy low-end sub-kick sound, the Emad is waiting for you. As for me, I'm thrilled to finally have 2 great options and will be keeping both of them around for the future.